(1 year, 7 months ago)
Lords ChamberThe age of Formula 1 drivers shows that this is a young sport, and the track record of those who have been successful in it shows that they start at a very young age. That is why we want to make sure that we break down all possible barriers to participation, one of which is visibility. It is why it is so important to have prominent competitions in which women and girls can participate and inspire others.
Can I encourage my noble friend not to get too involved in trying to run Formula 1 but instead to concentrate on drivers in London—ordinary Londoners who want to drive their kids to school in the morning, who want to drive their teenage sons and daughters to sports fields in the evening and who perhaps want to drive their elderly parents to the doctor or a hospital—by knocking on the head the bonkers plan of the Mayor of London to penalise everybody who wants to drive on any street in London?
(2 years, 9 months ago)
Lords ChamberI am afraid I cannot agree with the noble Lord, nor indeed in completeness with the list that he cited. That is why, as I say, it is important that we approach this on a case- by-case basis, looking at the items, how they came to be in the United Kingdom, how they were acquired, whether they are—as in the case of the Parthenon sculptures—legally owned by the museums, and to look at these matters considerately.
My Lords, the task of a museum is to preserve, educate and inspire. In an era where we can now make extraordinarily accurate copies— down to the tiniest chisel mark and chip—could we not argue that we would be fulfilling our duties to protect and educate if we were to reunite the Elgin marbles and send them back to their birthplace, that wonderful museum by the Acropolis? Could we not also argue that this would be an act of historic inspiration which would make—how can I put this?—the Greek gods, as well as our Prime Minister, weep with gratitude?
My Lords, the Acropolis Museum is indeed remarkable. I had the pleasure of visiting some years ago, and I greatly enjoyed it—just as I have enjoyed visiting the British Museum, where, in the Duveen Gallery, the Parthenon sculptures there can be admired. They have been admired down the centuries by people including Keats, Wordsworth and Auguste Rodin, who have been inspired into making new works of art as a result. Sadly, it is impossible to reunite the Parthenon sculptures. Half of them have been lost over the last two and a half millennia. At the moment, around half of those that remain are in the British Museum, where they can be admired in the great sweep of human civilisation, and around half can be admired at the Acropolis.