(11 months ago)
Lords ChamberWe are tripling funding for the Music Export Growth Scheme to more than £3 million over the next two years, which will enable more touring artists to break into new international markets. We are also expanding our Export Support Service to further help creative exporters, including touring musicians. We want our musicians to tour the world so that their work can be enjoyed overseas, just as it is here in the UK—including in Yorkshire.
May I ask the Minister to comment at a more grass-roots level? In the last few months, we have lost the Dartington summer festival, which is educational as well; we have lost Oxford Brookes University teaching music; and we have lost a lot of the Cheltenham Festivals’ work. I declare my interest as an ex-director of the Cheltenham international festival of music. I was there for 10 years and commissioned works—more than 100—as my successors continue to do. Not only are we losing this commissioning opportunity, which is so important for young composers, but local audiences in places that identify as being under-resourced in music are losing out.
On a recent visit to Devon, I had the opportunity to meet the new chief executive of Dartington Trust. The noble Lord is right to point to the brilliant work done by Cheltenham Festivals in his time and subsequently. Arts Council England has maintained its level of funding for Cheltenham Festivals at £217,000 per year, but I would be very happy to meet people from Cheltenham Festivals as well as others.
(1 year, 6 months ago)
Lords ChamberThe process for appointing the chair of the BBC is set out in the BBC’s royal charter. It requires an appointment to be made by Order in Council following a fair and open competition. By convention, the Secretary of State for Culture, Media and Sport recommends the appointment to the Lord President of the Council, and the Prime Minister recommends the appointment to His Majesty the King. It is important that the process be followed and that all public appointments be set out and conducted in accordance with the Government’s code.
My Lords, I declare my interest as a freelance broadcaster for the BBC. Does the Minister agree that there is a parallel here with your Lordships’ House? For example, we read endless headlines about prime ministerial appointments to the House but very little about the hours and hours of scrutiny that go into legislation. So it is with the BBC, but this has very little to do with the workforce, who produce programmes day in, day out. It has more to do, as we heard from the noble Lord, Lord Birt, with the selection and appointment process.
I agree with the noble Lord. Indeed, Mr. Sharp pointed in his own resignation statement and letters to his regret at the distraction this has caused to the corporation. We are very lucky indeed to have the BBC in this country, producing the world-class television and radio content I mentioned in my first response.
I must disagree with my noble friend. The Arts Council’s portfolio, which has now begun, includes around £21 million per annum of investment in music. That is £2 million more than in the previous round. Nearly 80% of the Arts Council’s investment in music is in classical music and nearly 40% is in opera. My noble friend mentioned a number of things that time does not allow me to touch on, but I welcome the BBC’s announcement that it will review its decision in relation to the BBC Singers and the BBC orchestras. He may have seen the announcement from the Arts Council and English National Opera that they have agreed £11.46 million of funding for the first year, and the Arts Council has set a budget of £24 million of investment for the second two years, inviting the company to make an application to it for that amount. The Foreign Secretary raised touring at the EU-UK Partnership Council, as we continue to raise this at the highest levels with the EU.
First, does the Minister understand the concern of the music industry, in that in state schools, for example, there are no peripatetic music teachers? That means that poor pupils do not get music lessons, which become the preserve of the rich. There is a follow-on from this: our orchestras will not be replenished by young people—young students. Secondly, on the problems with touring in Europe, Boris Johnson assured us that such problems would not happen. The noble Lord, Lord Frost, has admitted that the Government got it wrong, not just with visas but where cabotage comes in: you might get a visa but arrive with no instruments. When will the Government get it right?
I agree with the noble Lord about the importance of ensuring that pupils in the state sector have opportunities. I myself benefited from a peripatetic music teacher at school. Our national plan for music education is ensuring that high-quality music education is available everywhere. We are working with the Department for Education on the cultural education plan; the noble Baroness, Lady Bull, is very kindly helping to ensure that we cast the net as widely as possible to capture best practice and are ambitious. On the creative industries sector vision, we are working to ensure that the talent pipelines are there so that we can continue to have a globally competitive music industry of which we can be proud; it enriches our lives in so many ways. I have pointed to the work that the Foreign Secretary has taken forward with the EU-UK Partnership Council in relation to touring.
Decisions about salaries are for the BBC, but the Government have urged transparency over those payments, so that licence fee payers are aware of how their money is being spent.
My Lords, I declare my interest as a freelance composer and broadcaster for the BBC, although at a somewhat less august salary level than Mr Gary Lineker. The Minister would probably accept, as we all do, that there is a difference between not making political observations in programmes that you are aligned to and being free to express your conscience when you are talking about something which has nothing to do with sport or, in my case, music. Does he understand that musicians feel rather beleaguered, given the Arts Council England cuts, coupled with this own goal of scrapping the BBC Singers, the only professional group of its sort in this country?
Questions about how people who work for the BBC use social media and how their activity adheres to the BBC’s social media guidelines are for the corporation to determine. The noble Lord, who does not tweet, I think, and certainly not in a way that causes any controversy, is right to draw attention to the decisions about the BBC Singers and BBC orchestras, although again those decisions are for the BBC to set out and justify to licence fee payers, in the context of how it spends their money. The noble Lord referred to Arts Council England cuts. I remind him that the amount of money being dispensed by Arts Council England in the new portfolio is larger than in the previous one, and classical music accounts for a great deal of its musical output. However, he is right to draw your Lordships’ attention to this important issue.
(2 years, 3 months ago)
Lords ChamberIt is not about this year’s results; it is about securing the long-term sustainability of Channel 4. Channel 4 is particularly dependent on advertising revenue. Fewer people are watching live advertising. The cost of independent production is rising because of the entry into the market of global streaming giants, so we want to make sure that, in the decades to come, Channel 4 is able to raise the capital to continue doing what it is doing so successfully now.
My Lords, is the Minister at all concerned that privatisation might mean that artistic innovation is sacrificed? Very often, that is where money can be lost, simply in terms of views, as the Minister has just outlined. Therefore, that is the first thing that tends to go.
No, I am not. According to PACT, only 7% of the total independent production sector revenue came from Channel 4 commissions. Channel 4 spends less on commissioning than ITV, which is of course privately owned. We think the things that Channel 4 does are what make it so successful. We are convinced that any future owner would want to continue to build on those things.
(2 years, 10 months ago)
Lords ChamberMy Lords, the department, both at official level and ministerially, has been speaking to the sector throughout the pandemic. Of course, we have stepped that up since the move to plan B. I have a meeting tomorrow with our venue steering group so that I can hear from it myself. I have been to two theatres since we moved into plan B: the Young Vic on Thursday, and the Greenwich Theatre to see the pantomime at the weekend. I am pleased to report that they were full houses of people wearing masks. The most important thing we can do to support not just the cultural sector but every part of our economy is to get our boosters, wear our masks and have consideration for those around us.
My Lords, given that so many freelancers fell through the Government’s welcome support network during Covid, the noble Baroness, Lady Stedman-Scott, promised from the Dispatch Box to write to me about the rules concerning universal credit, because she accepted that there was a problem. Would the Minister be kind enough to fulfil that promise, as I have yet to hear from her? Also, the double whammy of Covid and the restrictions on touring have really hit the musical sector. Given that the Prime Minister, Boris Johnson, told us that the advantages of Brexit would outweigh the disadvantages, could the Minister enlighten me as to what advantages the creative sector has so far garnered?
My noble friend Lady Stedman-Scott has been away for a few days, so I will certainly pick that up with her office to make sure that the noble Lord gets the answer to his first question. I also have a meeting with counterparts in the DWP to take up this issue in response to a question we had in a debate recently with the noble Lord, Lord Cashman, and others. As the noble Lord, Lord Berkeley of Knighton, knows, we continue to work bilaterally on touring. We provide information on GOV.UK to make sure that the sector has clarity about the rules, and we are making progress with many other countries in ensuring that they match the welcoming access we provide to musicians who want to come to the UK.
The UK remains opposed to the death penalty in all circumstances and all countries as a matter of principle. The Government of Bahrain are fully aware that we are firmly opposed to the death penalty, and our good relationship allows us to have honest dialogue and raise points on that. We raise the matter regularly, both at ministerial and official level, publicly and privately, including during the Minister for the Middle East and North Africa’s most recent visit to Bahrain.
My Lords, I am sure the Minister will agree that influence can often be exerted through the interchange of culture and sport. Amnesty International has identified the Grand Prix in Bahrain as being a huge event through which we should try to put pressure. Are efforts being made in this direction with, for example, Formula 1?
I will have to double-check the point that the noble Lord raises about Formula 1 and write to him to confirm that, but he is absolutely right to highlight the role that cultural exchange—sport, music and the arts—plays in strengthening our relationships and standing up for our fundamental values.
I am very happy to reassure my noble friend on that point. As my right honourable friend the Secretary of State said in the Statement, the Government are working with the Royal Household, the devolved Administrations and the Commonwealth on a programme of events that will unite every generation in all 54 countries of the Commonwealth, from the South Pacific islands to the Canadian Arctic, in celebration of Her Majesty. That is the depth of our undertaking.
My Lords, as a composer and broadcaster, naturally I very much support the comments made by the noble Baroness, Lady Bonham-Carter of Yarnbury. I suggest to the Minister that if the Arts Council, the DCMS and the BBC joined hands, they could commission a huge raft of artists in this country who have been stymied from producing creative work. Choreographers, composers and designers could join hands to make something substantial. In order to make something substantial, we must move quite soon, because these people are very busy, and creating great work takes time.
The noble Lord is absolutely right. The Statement is being made now to give people advance notice, so that they can get planning to make the most of a truly important occasion and to make these celebrations to remember. We are working with the UK’s leading creative minds on exactly the sorts of things that the noble Lord mentioned, to make the Platinum Jubilee a weekend to remember.