My Lords, I do not recognise my noble friend’s description of the criteria for the allocation of grants under that fund. The Government have been clear that priority will be given to organisations with national or international reputation and to those central to the cultural fabric of our towns and regions. However, I will take my noble friend’s point about an appeals process back to the department.
My Lords, the word “gig” of course comes from music. I am afraid that the announcements today will not help the problem that I am about to enunciate. Does the Minister share my concern that, when we look at the Government’s own figures for the Self-employment Income Support Scheme, it is alarming that only 34% of those who are self-employed in arts and entertainment have taken up the scheme? Therefore, without further support for those freelancers falling through the many cracks, we are at risk of losing highly skilled talent from our world-leading music industry.
My Lords, 95% of those who get half or more of their income from self-employment would qualify for the self-employed scheme. As I have said to noble Lords, for those who do not qualify, it is not the only route of support that the Government are providing. We completely recognise the contribution of those in the arts to our country. That is why we have a specific fund dedicated to supporting cultural recovery.
(4 years, 2 months ago)
Lords ChamberMy Lords, although the Culture Recovery Fund has not been dispersed yet, the DCMS has provided £3.36 million in emergency funding, which has been allocated to support 135 grass-roots music venues. Support for the self-employed was extended as part of the winter economy plan. For those who do not qualify for that support, the application period for bounce-back loans was also extended. The repayment period for bounce-back loans was extended to up to 10 years, and that can nearly halve the monthly repayments for those who are eligible and choose to take out those loans.
My Lords, I refer to my interests as listed in the register. The heart of the cultural industries in this country lies with freelancers, and at the moment that heart is being ripped from the body. I ask the Minister to look at one or two specific schemes. The one mentioned by the noble Lord, Lord Foster of Bath, as being used in Wales, is a very practical idea to give some help to a really challenged freelance section.
I absolutely commit to noble Lords that I will take the specifics of that scheme back to the DCMS and the Treasury, if appropriate, to look at how it is proposed to operate and whether it can be integrated into the operation of the Culture Recovery Fund.