Music Education Debate

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Lord Berkeley of Knighton

Main Page: Lord Berkeley of Knighton (Crossbench - Life peer)

Music Education

Lord Berkeley of Knighton Excerpts
Tuesday 28th October 2014

(10 years ago)

Lords Chamber
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Lord Berkeley of Knighton Portrait Lord Berkeley of Knighton (CB)
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My Lords, when I made my maiden speech in your Lordships’ House I mentioned that one of the most moving experiences I had had recently was to receive a letter from an inmate of Wormwood Scrubs. I had been working with the Koestler Trust to put instruments into prisons. This man wrote to say that he was incredibly grateful to have been able to use a guitar and that had he had this instrument 15 years earlier he probably would not be serving life for murder. In other words, the means of expression that this instrument gave this prisoner was a release of those turbulent feelings that he had. As we have already heard from many noble Lords, research has discovered that even with children who are quite damaged music can often get through where nothing else can.

I too would like to praise the Government for having had the wisdom to find more funds recently and for recognising that the creative industries are a very important part of the economic and social make-up of this country. It is also important to realise for the future that children who are going to be the top players, if you like the top earners, of tomorrow need to start early. They need to get their fingers and muscles adjusted to the strings, for example, of a violin. They need to be playing instruments at the age of five to have any chance of reaching the top echelons. But it is not just the tops echelons in which we are interested, as we have heard. It is the social cohesion that music brings that is so important.

Before I talk a bit more about what has been achieved and what could be achieved, I would like to mention other areas of music. I am sure that the right reverend Prelate who follows me will endorse my plea to help cathedral choirs retain their music. This is such an important part of this country’s tradition, whether it be Byrd or Tallis or Blow. These are the great masterworks which are part of our heritage. Hopefully it will continue, with my colleagues creating music for churches in the future.

When the Government produced the Department for Education document about more music for the Arts Council to distribute, as my noble friend Lord Aberdare said, it said something important. I am going to repeat it because it is so important as a mantra. If the Government can keep to this, we will be on the right footing:

“We expect every child to have the opportunity to sing, play instruments, solo and in groups and to be able to take these skills further if”,

through talent or inspiration they so wish.

That is a wonderful starting point, but against it we must look at the conclusions of Making Music, by the Associated Board of the Royal Schools of Music. This paid tribute to what has been achieved but also said:

“Although the trajectory over the last 15 years is generally positive, there are”—

your Lordships have heard this before—

“areas of concern: many children and young people have not had access to instrumental lessons, while others have no engagement with formal music tuition after primary school”.

What it goes on to say is so important. It says that children from lower socioeconomic groups, just those ones who might turn to violence,

“continue to be significantly disadvantaged compared with their peers from more affluent backgrounds. Sustained, progressive music education tends to be the preserve of children born to wealthier parents”.

As we heard from the noble Lord, Lord Black:

“This report shows that adults who had private lessons as children and sat a music exam were much more likely to still play an instrument—and the higher the grade achieved, the more likely they were to continue learning.

The cost of learning to play and of taking lessons is a major barrier and children without access to tuition are significantly less likely to carry on playing. Regional provision is variable and the diverse ways in which learners progress are not necessarily well supported by the sector”.

There is good news and bad news. How about looking at one idea that would cost nothing? This would be to say not only to schools but also to Ofsted that we want you to up the importance of music.