Debates between John Glen and Caroline Spelman during the 2017-2019 Parliament

Breathing Space Scheme

Debate between John Glen and Caroline Spelman
Wednesday 19th June 2019

(5 years, 5 months ago)

Commons Chamber
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John Glen Portrait John Glen
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I thank the hon. Gentleman for his typically positive and constructive remarks, and I will try to address the five key points he raises.

First, the 60-day time period is longer than our manifesto commitment of six weeks and is the product of listening to the consultation responses and to the experience of the mechanism in Scotland. Overall, it is seen as the right solution.

Secondly, the hon. Gentleman asked which debts are included. I tried to set out in my statement that the scheme is extremely broad, covering public sector debts and arrears. He asked about bailiffs and their role. Of course, the Ministry of Justice completed a consultation exercise in February and will respond in due course. There is also Cabinet Office guidance on the fairness of debt collection. He makes a reasonable point.

Thirdly, the hon. Gentleman asked about guarantor loans, which are an emerging new category of high-cost credit. Such matters are regulated by the Financial Conduct Authority, and I had a conversation just this morning with its chairman. I spoke to Andrew Bailey, its chief executive, earlier this week on the need to be vigilant across all emerging forms of high-cost credit, which is under ongoing review.

Fourthly, the hon. Gentleman asked about capacity and capability in the area of debt advice. I envisage that the creation of the Money and Pensions Service as a new single entity will bring much better co-ordination of the available advice. As I mentioned, the Government spent £56 million last year, and 85,000 more people were seen than in the previous year. We are looking at how that advice can become consistently of a higher standard.

Finally, the hon. Gentleman asked about the long-term causes and the regulation and marketing of high-cost credit products. Following the recent issues at London Capital & Finance, I directed the FCA to examine what happened, and I have asked my officials in the Treasury to conduct a separate review of how regulation works. We have to continue being vigilant on this evolving space, and the increased digitalisation of the availability of high-cost credit means that the regulation and oversight needs to keep pace.

I hope that answers the hon. Gentleman’s questions.

Caroline Spelman Portrait Dame Caroline Spelman (Meriden) (Con)
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I welcome this statement and the Government going beyond their original manifesto commitment. It gives me a chance to thank my citizens advice bureau, which has done fantastic work on debt rescheduling during my 22 years as an MP.

Does the Minister welcome the Church of England’s initiative to teach financial literacy in its primary schools, and would he encourage rolling out such an approach to prevention more widely?

John Glen Portrait John Glen
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I welcome my right hon. Friend’s observations on the Church of England’s interventions on financial literacy. The ongoing challenge is to develop national consistency in the delivery of financial education and advice. A number of initiatives are under way, one of which is trying to get financial services providers, particularly the banks, to work in a more co-ordinated way. I am happy to endorse the work of the Church of England, which has been a significant partner in improving financial literacy across the country.

Oral Answers to Questions

Debate between John Glen and Caroline Spelman
Tuesday 29th January 2019

(5 years, 9 months ago)

Commons Chamber
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Caroline Spelman Portrait Dame Caroline Spelman (Meriden) (Con)
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T7. Will the Chancellor give a firm commitment that debts owed to major Departments such as Her Majesty’s Revenue and Customs and the Department for Work and Pensions will fall within the breathing space scheme?

John Glen Portrait The Economic Secretary to the Treasury (John Glen)
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A consultation was launched in October, and we intend it to be as wide as possible. The consultation closes today and the Government will respond shortly, but we are very sympathetic to where my right hon. Friend is coming from.

Coventry City of Culture

Debate between John Glen and Caroline Spelman
Tuesday 5th September 2017

(7 years, 2 months ago)

Westminster Hall
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Westminster Hall is an alternative Chamber for MPs to hold debates, named after the adjoining Westminster Hall.

Each debate is chaired by an MP from the Panel of Chairs, rather than the Speaker or Deputy Speaker. A Government Minister will give the final speech, and no votes may be called on the debate topic.

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John Glen Portrait The Parliamentary Under-Secretary of State for Digital, Culture, Media and Sport (John Glen)
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May I say for the first time from the Front Bench what a pleasure it is to serve under your chairmanship, Sir David? I congratulate the hon. Member for Coventry South (Mr Cunningham) on securing this important debate about Coventry’s bid to become UK city of culture in 2021, and all those right hon. and hon. Members who have contributed—particularly the hon. Member for Coventry North East (Colleen Fletcher), but also my right hon. Friend the Member for Meriden (Dame Caroline Spelman) and my hon. Friends the Members for North Warwickshire (Craig Tracey) and for Rugby (Mark Pawsey).

The hon. Member for Coventry South is a passionate advocate of the city, and this is clearly an exciting time for Coventry and the four other towns and cities shortlisted to be the next holders of the transformative and prestigious title in question. The UK city of culture programme is one of our nation’s crown jewels. The winning area must build a high-quality arts and cultural programme that reaches a wide variety of audiences and participants. The title of city of culture acts as a catalyst that can regenerate and transform a place, enabling it to attract external visitors and investment while engaging and inspiring local communities and institutions, including universities, schools, health trusts and businesses. I note the point made by my hon. Friend the Member for North Warwickshire about its value in the wider area.

Caroline Spelman Portrait Dame Caroline Spelman
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In the presence of my hon. Friend the Member for Torbay (Kevin Foster), who was a member of Coventry City Council, I would point out that Coventry lost out under the structure of Advantage West Midlands. The Minister has spoken about investment; does he agree that the absolute commitment of the new Mayor of the West Midlands to back the bid, and for the region to get behind Coventry’s case, should help us to win?

John Glen Portrait John Glen
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My right hon. Friend’s point is, as always, well made, and she is right. It is useful to have the widest possible base of support across the whole region.

This year, 11 places made an application to become the UK city of culture in 2021 and, following a recommendation from the independent panel chaired by the excellent Phil Redmond, I recently agreed a shortlist of five. It was not an easy decision, as all the bids had real merit. However, I am delighted that the shortlist contains cities representing England, Scotland and Wales, each of which makes a strong case. I have been impressed by the full engagement of all the places making bids. It is even more gratifying to see that making a bid has become a valuable process in itself. It has proved transformational in raising a city’s profile and developing a clear set of cultural aspirations for the future. Feedback from the places that did not make the shortlist—Hereford, Perth, Portsmouth, St Davids, Warrington and Wells—confirms that.

Now, along with Coventry, the other shortlisted places—Paisley, Stoke-on-Trent, Sunderland and Swansea—are embarking on the final stages of the process. I shall announce the winner by the end of this year. There is clearly much to be gained by the winning city. Taking part in the arts can improve self-esteem and confidence. It makes people feel good about where they live and about themselves, raising aspiration and bringing communities together. The arts and culture, through their ability to engage, inspire and challenge us, are instrumental in helping to break down barriers to participation and engagement across race, disability, age, gender, sexual orientation and socio-economic disadvantage. The economic and social importance of culture to place making has never been more understood and acknowledged. That is underlined by the culture White Paper and is evident in emerging data and evidence coming from Hull—the incumbent UK city of culture.

Before I address Coventry’s bid, it may be helpful to set the potential benefits that the city of culture title brings against what has happened in Hull this year. As recently as 2013, The Economist, which really should know better, suggested that declining northern cities should be abandoned. However, only three years later and still not even into its official year as city of culture, Hull became the only UK city to make Rough Guides’ top 10 cities in the world to visit, alongside Vancouver, Reykjavik and Amsterdam. That seemingly remarkable transformation is now backed up by the data emerging from the evaluation of the first three months of this year, including hotel occupancy being up almost 14%, a 17% increase in rail passengers and 37% of local businesses reporting an increase in turnover.

Of course, it is not only about economic regeneration. It is extremely heartening to learn that, in the first three months of 2017, nine out of 10 people living in Hull took part in a cultural activity, and that Hull 2017’s volunteers had already undertaken more than 100,000 volunteer hours. Those are amazing achievements for which Hull City Council and the Hull UK City of Culture 2017 company can be hugely proud.

On Coventry’s bid to become UK city of culture 2021, I acknowledge that the city has much to be proud of. Its contribution to UK culture is already impressive, from Lady Godiva to The Specials and 2 Tone, and it is also home to some of our most important medieval and post-war architecture. Throughout the bidding process, it has sought to highlight its cultural diversity and its rich heritage. Coventry hopes to use the power of culture to cross boundaries, create understanding, nurture respect and embrace humanity. As a city of invention and reinvention—as we have heard from various colleagues —it wants to create a digitally connected and international place, to reimagine the place of culture in a diverse, modern Britain.