Film Industry
Debate between Baroness Twycross and Lord Stevenson of Balmacara
Baroness Twycross (Lab)
I regret that I will have to be slightly repetitive in giving assurances of this Government’s commitment to the creative industries. Some of these issues are decisions for the Treasury, but both DCMS and the Treasury understand how important various measures and reliefs are to the industry. An update will be provided as soon as possible and, as noble Lords are aware, the Budget will be held later this month.
Lord Stevenson of Balmacara (Lab)
My Lords, I declare an interest as a former director of the British Film Institute. I was a guest of the BFI at the opening of the London Film Festival last night for the showing of the film “Blitz”, which was extraordinary. I recommend it to noble Lords on all sides. It tells us a lot about Britain as it was, in the way that cinema can do, and it is worth all the money given by its supporters—and there are a lot of them. The opening speech at the London Film Festival yesterday made reference to the Statement made in the other House earlier that day. The very warm reception given by the huge audience to that announcement was striking. We should recognise that the industry is very supportive of what the Government are doing. It was also supportive of the previous Government’s work, so I want to correct something my noble friend said: the very first film tax credit followed the Downing Street seminar in 1990 with Mrs Thatcher, when she was Prime Minister, and was introduced by the noble Lord, Lord Lamont, who is sadly not in his place to receive the credit for making that first step. It was then built on by the great work—I am surprised to hear myself saying it—of George Osborne, who not only provided extra support but extended it, as we have heard, to many other art forms, which are very grateful to the last Government for the work they did. We should recognise that and build on it.
The points I wanted to make have largely been made by others, but one that has not really been answered, which is crucial to the future development of the film industry, is the question of the apprenticeship levy, raised by the noble Lord, Lord Clement-Jones. Will the Minister be a bit clearer about how wide a view the Government will take on this? The industry is in a terrible mess; without the support of the young coming into it, it will not survive.
Baroness Twycross (Lab)
I thank my noble friend for his question. I repeat that at the moment we have a skills shortage and significant vacancies—a vacancy margin of about 25,000. We know that our success is down to our skilled and innovative workforce. As a number of noble Lords have highlighted, this goes way beyond people working in a silo. There is something about creativity and working across different parts of the sector that probably benefits that.
We will get more details on the transformation of the apprenticeship levy into the new growth and skills levy in due course. It will create opportunities and give employers greater flexibility to train and upskill their workforce. Through working with Skills England, it will also allow the Government to identify what skills gaps there are, so that we make sure that every single sector, including the creative industries, has the skills it needs for the growth this country requires.
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Debate between Baroness Twycross and Lord Stevenson of Balmacara(2 months, 1 week ago)
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Baroness Twycross (Lab)
In Labour’s plan for the creative industries we committed to supporting creative small businesses and defending existing grass-roots music venues, nurturing fledgling arts spaces and working to prevent the loss of cultural spaces. One of our top priorities is to work closely with stakeholders and across government to ensure that the live music sector is financially resilient, and to explore potential further opportunities for support.
Lord Stevenson of Balmacara (Lab)
My noble friend will be aware from the mood of the House that there is really quite a feeling that action is required here. On all the issues discussed so far, we have talked about the impact of the primary market and now the secondary market but, in addition to the point made by the noble Lord, Lord Fox, what about the artists themselves? Their ability to reach out to their audience is often frustrated by the way that the system works against them.
Baroness Twycross (Lab)
If I understand my noble friend’s question correctly, this is about people starting out, at the beginning of their career. He is shaking his head so I will try again. We are committed to live music. We will do everything we can to make sure that live music is accessible to everybody but that there is that connection between artists and their fan base.