Schools: Arts Education

Baroness Sharp of Guildford Excerpts

Thursday 27th November 2014 Lords Chamber

[Baroness Sharp of Guildford (LD)]

My Lords, I thank the noble Earl, Lord Clancarty, for introducing this timely and interesting debate on the arts in education. I declare an interest as a patron of Creative Skillset, the creative industries’ sector skills council.

On Tuesday this week, I had the privilege of attending a service at St Margaret’s for the Girls’ Schools Association where the school local to me in Guildford, St Catherine’s School, provided the choir for the service. It sang among other things an especially commissioned motet taken from excerpts from poems of Maya Angelou. It was both moving and beautiful. As the noble Lord, Lord Cashman, said, the children of those parents who can afford it have a very broad education. They often have a longer school day and highly specialist facilities, which provide them with an excellent and outstanding education in all areas, including the areas of the arts.

As far as state schools are concerned, I was cheered by reading the foreword provided by Michael Gove and Ed Vaizey to Cultural Education: A Summary of Programmes and Opportunities, published in July 2013—a very recent statement of the Government’s ambition is for arts education. It states:

“The arts are the highest form of human achievement. Through art we not only make sense of ourselves and the world, we also make our lives enchanted. Art allows us to celebrate our common humanity and communicate across boundaries. Artistic endeavour marks us out from the rest of nature as creators and celebrators of beauty. That is why no education can be complete, indeed no programme of education can even begin, without making the arts and creativity central to a child’s life … England’s many successful schools put culture at the heart of their curriculum and we want all schools to be able to emulate, indeed surpass, those which are currently outstanding … We will encourage more schools to offer a wider spread of creative subjects with a new accountability framework for secondary schools”.

Why, then, have we now had two speeches pointing out the drop in the number of GCSE arts subjects being taken, the very substantial fall in the number of teachers being trained in arts subjects, and the real decline in drama, dance and the graphic arts in our schools? It is not necessarily down to the national curriculum. As far as the national curriculum is concerned, the briefing paper we have received tells us very firmly:

“Arts subjects are compulsory in maintained schools in England until the age of 14. They are not compulsory national curriculum subjects after the age of 14, but all pupils in maintained schools in England have a statutory entitlement to be able to study an arts subject as part of their key stage 4 education”.

It is not the lack of the arts in the national curriculum, or even the lack of concern for the arts. It is, I think, an unintended consequence of the accountability measures that we now impose upon our schools.

Mention has already been made of the EBacc. The subjects that fall within the EBacc are English and maths, two sciences, history, geography and a modern foreign language or a classical language. I, for one, am very pleased, in some senses, that there is a broader education within the EBacc, but it is sad that the arts have been downgraded and not given the same status. I have to confess that I am very concerned indeed about what is happening with the arts in our primary schools, where emphasis on SATS in year 6 often drives the curriculum. Lots of very good primary schools get over it, but some that are less good are absolutely terrified by the need to get good SATS results and have narrowed down the primary school curriculum to the three Rs to too great an extent. We want to expand it but at the moment it is not expanding.

As we all know, all work and no play makes Jack a dull boy and Jill a dull girl. It is vital that we feed a love of creativity in to our young people. The development of their imaginations in primary schools comes from play, but too much of that play has gone out due to the emphasis on phonics and achieving the required standards in phonics at the age of five or six. There is too much testing and too much teaching to the test, pushing out the creative parts of the curriculum.

As everybody emphasises, the creative industries are now expanding faster than other industries. For many years people poured scorn on media studies, yet actually, as the noble Earl, Lord Clancarty, mentioned, with the bringing together of computerisation and digital technologies and the arts technologies, institutes such as Arts University Bournemouth and Bath Spa University, which concentrate on these things, are finding it very easy to find jobs for their graduates. It is graduates in geography and history who often have difficulty in finding jobs.

Many times from these Benches I have called for more emphasis on maths and science education. I have been very much a champion of the STEM subjects because I have been very worried about the drop in the numbers of young people taking STEM subjects. However, I have also been somewhat critical of the narrowness of British, and particularly English, education, and the fact that at age 16 we have to narrow things down to three A-levels. This has led to a divide between the arts and the sciences. I would have liked to have seen us move in the direction of a broader curriculum for 16 to 18 year-olds—something equivalent to the international baccalaureate.

I therefore end with a plea not for STEM but for STEAM—science, technology, engineering, arts and mathematics. We want them all together. We want to provide a broad education for our young people—one which gives them the best foundation for moving forward in life.