(9 months, 1 week ago)
Lords ChamberMy Lords, I looked very carefully at what my right honourable friend said, and he said that we will have outlawed it by the next general election—we will have passed the Bill and put money into the courts to ensure that we can enforce it. We are already putting money into the courts—£1.2 million this year.
Could the Minister answer the question that she was just asked by her noble friend Lord Young? She was asked whether it would be possible still before the general election, and indeed possibly after it, for tenants to be issued with a Section 21 eviction notice. I do not think that she answered that question.
My Lords, the position since the White Paper and the introduction of the Bill has been that we will need to give six months’ notice on the implementation of Section 21 for new tenancies. We are committed to passing the Bill before the end of this Parliament and putting in place the resources we need to get everything in place during that six months’ notice period, so that we can implement the ban on Section 21 as soon as possible.
(11 months, 2 weeks ago)
Lords ChamberBoth the Department of Health and the Department for Education are taking forward very careful programmes to address the issue of RAAC. As part of that, I am sure they will consider the most cost-effective way of addressing those issues. My noble friend Lady Barran is working very closely on the schools issue, to ensure that all schools affected by RAAC have it removed or remediated as soon as possible.
My Lords, will the Minister spare a thought for the small but significant number of people who live very modestly in listed buildings? I have to declare an interest, being one of those people. I live in a very small house which happens to be listed, in a conservation area. The business of repairing and maintaining it is extremely expensive and very difficult to achieve, partly because the planning system does not co-operate on very small interventions which could make a significant difference—for instance, insulation. What are the Government doing to help this situation?
I acknowledge the point that the noble Baroness has made. We are doing two things in this area. We have updated the National Planning Policy Framework so that, in determining planning applications, local planning authorities should give significant weight to the need to support energy efficiency and low-carbon heating improvements to existing buildings. Specifically on the practical planning barriers that households can face when they are in conservation areas or listed buildings, in our energy security strategy, published last year, we committed to reviewing the barriers that people in such buildings face. That review is under way and I believe that the outcome will be published shortly.
(1 year, 8 months ago)
Grand CommitteeMy Lords, we may not wish to repeat the debate that we had in the Chamber earlier this year, but I was going to address my noble friend’s question about retail versus wholesale and the point from the noble Lord, Lord Vaux, about the use case for a CBDC.
The noble Lord, Lord Eatwell, made one of the points in relation to a CBDC. We want to ensure that central bank money, which is currently available to the public only as cash, remains useful and accessible to the public in an ever more digitalised economy. We have heard about access to cash in our debates earlier in Committee.
My Lords, I am sorry to interrupt the Minister but there is a Division in the Chamber. The Committee will adjourn for 10 minutes, after which we will resume and allow the Minister to finish what she had to say.
(1 year, 8 months ago)
Lords ChamberMy noble friend Lord Bassam referred in his question to changes in audience behaviour since the pandemic, which has had a very serious impact on the ability of performing arts in particular to plan confidently. Audiences appear to respond to strong, novel programming, which is where the highest initial risk tends to lie. Has the Treasury made any assessment of the potential loss to the Treasury if performing arts organisations and others start to decrease their investment, thereby damaging the potential they have to draw audiences, which would then impact Treasury revenue?
My Lords, the points that the noble Baroness makes are entirely those that we would want to consider in looking at the issue. She is absolutely right about the value and the costs when it comes to the production of these shows, which is why the tax relief is focused there. She is also right that they can bring huge economic benefit, including through exports, attracting visitors to the UK and productions going on the road. Those are the kinds of things that the DCMS and the Treasury will consider when looking at the tax relief.
(1 year, 11 months ago)
Lords ChamberI do not have that information with me, but I can take it back to the department and write to all noble Lords.
My Lords, it appears there are no further questions on that Urgent Question.
(3 years, 4 months ago)
Lords ChamberMy Lords, the noble Baroness said that there was now a scheme for enabling large employers to transfer part of the proceeds of the apprenticeship levy to SMEs. What is the incentive for them to do that? It was not clear to me why they would do it, apart from just good will—they may do it for good will, but it is good to have some incentives. Also, although she issued a lot of warm words about younger apprenticeships, she did not—unless I missed it—directly address the third part of the amendment from the noble and learned Lord, Lord Clarke, which requires employers receiving apprenticeship funding to spend
“at least two thirds of that funding on people who begin apprenticeships at Levels 2 and 3 before the age of 25.”
What is the Government’s view on an actual requirement that two-thirds of the funding be spent on those who are under 25?
As noble Lords will be aware, when large employers pay the apprenticeship levy, those funds stay in their account for up to two years and, if unspent, return to the Government. They fund wider apprenticeship provision, such as the provision of maths and English tuition, the administration of the scheme and other aspects of it. However, we know that large employers have unspent funds. They may, for example, want to transfer those to other businesses in their supply chain that would benefit from taking up apprenticeships in that form. That is one incentive they may have to transfer the levy funds.
On the point about obliging employers to have two-thirds of their apprenticeships filled by young people, while we want to ensure that young people and employers are incentivised to take up apprenticeships and are working towards that, one piece of feedback we get from employers about the unspent levy is a lack of flexibility on how to spend it. There is always a balance in ensuring that there is sufficient flexibility for how employers can use their levy while making sure that it delivers on the aim: high-quality, technical apprenticeship schemes that deliver the skills that employers need.
My Lords, I have received no further requests to speak after the Minister, so I call the mover, the noble and learned Lord, Lord Clarke of Nottingham.
My Lords, a lot of work has gone into the Covid-secure guidelines for workplaces, to enable people to return to work in a Covid-secure way. The approach that the Government are taking is all around balance. National lockdown does not come without costs to people’s livelihoods and wider health costs. With the tiered approach we are trying to target measures more seriously in those areas with the highest transmission. We believe that this is the right approach in balancing the different interests that we must face.
My Lords, I draw the House’s attention to my interests in the register. I remind the Minister of the plight of performing arts organisations and practitioners in the areas newly affected by restrictions, and indeed, all over the UK. Has she seen the evidence on this subject, given last week to the Economic Affairs Committee? The Culture Recovery Fund, welcome as it has been, is not enough. When will the Government bring forward further targeted support for this very hard-hit sector?
My Lords, I will look at that evidence. On the Culture Recovery Fund, the first tranche of funding has just been announced. There will be more to come. Noble Lords are interested in international comparisons: the cultural recovery fund in Germany is £1 billion, whereas in the UK it is £1.57 billion.
My Lords, I beg leave to ask the Question standing in my name on the Order Paper of which I have given private notice. In doing so, I remind the House of my interests as listed in the register.
My Lords, the Government have committed more than £190 billion to deal with the Covid pandemic and to support the economy and jobs. This includes a £1.57 billion Culture Recovery Fund to support arts and cultural organisations. While furlough was previously the right intervention, we must recognise that the virus will be with us for a while, so our economic support needs to evolve. Businesses must adapt and receive support that helps them to do that. The job support scheme is targeted at businesses that can support their employees doing some work but which need time for demand to recover.
My Lords, I thank the Minister for her Answer and I hear what she says, but does she not accept that the effect of the Chancellor’s post-furlough arrangements is that many perfectly good businesses in the performing arts sector will become unviable because they are not allowed to operate under the current restrictions? The Culture Recovery Fund has still not reached theatres and production companies. Arts organisations are already making staff redundant and some will not survive, despite huge pent-up demand for their services. Many freelancers, who make up 70% of the workforce, have been, and remain, unable to access any government emergency funds. As the Society of London Theatre and UK Theatre made clear last week, the Chancellor’s announcements do little, if anything, to help. Will the Government act now to provide further sector-specific support to prevent irreversible damage to one of our most successful industries?
My Lords, performing arts organisations can benefit from the job support scheme. We understand that although performances are allowed indoors and outdoors with social distancing and there is no set limit on audience numbers, the need for venues to adhere to social distancing guidance can make it very difficult for them to operate profitably. That is why we have the Culture Recovery Fund. The noble Baroness is right that that money has not yet been distributed, but I reassure her that DCMS and the associated arm’s-length bodies have been processing more than 4,000 applications for more than £880,000 million of grant funding, and announcements will be made about hundreds of allocations in the coming weeks.