(5 years, 10 months ago)
Lords ChamberMy Lords, I start by thanking the noble Lord, Lord Lexden, for relieving me of my Woolsack duties to allow me to speak in the gap, which I will do briefly.
I declare my interest as a trustee of an orchestra—Southbank Sinfonia—known to some of your Lordships because it plays for the parliamentary choir, among other things. I should also say that my daughter is a professional, conservatoire-trained musician. When she is not performing, she teaches one-to-one in an independent school with facilities that are so far beyond the imaginings of the schools to which her two children go and at which her husband, who is a deputy head teacher, teaches that it would be difficult to overestimate how wide that gap is. The issues that have come up about the gap between the maintained sector and the independent sector—notwithstanding the germane points made by the noble Lord, Lord Lexden, about partnership possibilities—are extremely important to bear in mind.
I was feeling a bit sorry for the Minister because I had not heard anybody offer ringing support for the Government’s current policy on music education until we got to the noble Lord, Lord Borwick. I was not entirely sure what his view was, but there may have been some comfort for the Minister there.
I will make only two points. The issues that have been covered so extensively by everybody who has spoken—it is rare for me to be able to say that I agree with everybody, but I do—are, on the whole, the unintended consequences of policies that no doubt were established in good faith. I do not say that it was not necessary to make the point that a good standard of academic education is absolutely necessary; I do say that it was wrong to be as restrictive with that as has been the case. We have to accept that warm words will always come from Ministers at this Dispatch Box and in the other place, because the personal commitment of individual Ministers and their sympathy for the importance of music and other arts are not in doubt. But warm words do not translate into policy, as we have heard.
I would like the Minister, if he would, to consider just two points that have been raised, to listen carefully to what has been said to see whether anything can be done. First, Ofsted is already moving to recognise that the accountability measures that the EBacc represents are too narrow. I hope that he will support it in that and that gradually—or possibly even quite quickly—music and other arts subjects will be included in those accountability measures.
The other thing that I would like the Minister to look at is the attitude of the Russell group universities, which, again for good reasons but provoking unintended consequences, have given the impression to schools that only a limited range of subjects, which do not include any of the arts subjects that we have talked about, are facilitating subjects for getting into them. This is profoundly unhelpful and gives a difficult message to schools and students about what it is possible for them to study and still expect to get into a good university. Music is difficult to study, particularly when you get to A-level. It is just as difficult as maths and it needs quite a lot of the same skills. It is not a soft option or a “nice to have” and it would be a good thing if the universities and the education department recognised that a student who comes out of schools with A-levels in, say, music, chemistry and maths is well-equipped for the life that they are likely to lead.
(5 years, 10 months ago)
Lords ChamberMy Lords, there is no evidence that arts subjects have declined as a result of the introduction of the EBacc. Since the EBacc was announced in 2010 the proportion of young people taking at least one arts GCSE has fluctuated across the years, but has remained broadly stable. The best schools in the country combine a high-quality cultural education with excellence in core academic subjects. I reassure my noble friend of the importance, to my mind, of music to brain development, and I shall quote from a study on this; the education system needs to become more aware of it.
“Music’s pitch, rhythm, metre and timbre are processed in … the brain … Rhythm and pitch are primarily left brain hemisphere functions, while timbre and melody are processed primarily in the right hemisphere”.
Music is an integral part of our education, and so is EBacc.
My Lords, I am not sure where the noble Lord gets his evidence from. I wonder whether he is aware of research, published just this week and launched in this House, jointly commissioned by the Royal Shakespeare Company and Tate, from Nottingham University. The unique feature of this research is that it talks to young people about their experience of arts and cultural education. One of the things that emerges from it is that they are clearly getting a strong message that, important as this is to them, it is not valued in the curriculum: consequently they are often discouraged from taking it up. He might, if he has time, listen to the recent appearance of the noble Lord, Lord Bird, on “Private Passions” to hear first-hand testimony of what an impact music can make on one person’s education, particularly someone who did not have a very good start in life. How much more evidence do the Government need before recognising that this is a serious issue not just for future professionals but for all students?
To answer the noble Baroness’s first question, about where the research I am using comes from, an initial five-year study by the University of South Carolina showed that music instruction appears to accelerate brain development in young children. I entirely accept that, but let us also talk about the amount of time that is being devoted to the teaching of music in schools. Music as a percentage of teaching time in secondary schools has remained broadly stable since 2010: 2.4% in 2010 and 2.3% in 2017. I get that data—I am conscious of noble Lords saying that we are loose with our data—from the school workforce census, a survey of 76% of secondary teachers and 85% of secondary schools.
(5 years, 10 months ago)
Lords ChamberMy Lords, as far as I am aware, absolutely no inappropriate pressure has been put on civil servants. I do not have any spads, so I have not been able to put any pressure on them. I assure the noble Lord that we have never endeavoured to mislead. To take one area about which people were concerned—the statement on the number of children in good or outstanding schools—the figure of 1.9 million is correct, but it is also correct that 600,000 of those relate to the increased pupil population over the past few years. One of the most important things that the department has done is to ensure the expansion of pupil places in good or outstanding schools. That is something that I began when I joined the board six or seven years ago and have been able to put a lot more emphasis on since I became a Minister. Indeed, I regularly berate any local authority considering increasing pupil place numbers in poor schools. There is a context around all this, but I assure the noble Lord that I have no knowledge of any inappropriate pressure being placed.
My Lords, the issue of the manipulation or misuse of statistics is extremely important, but it is perhaps worth recalling that this came to a head last week because the Government were able, by the use of statistics, to challenge the assertion of head teachers that school budgets were being cut in an unsustainable way. Those among your Lordships who have direct contact with schools will know that that is the case in many instances. Schools are struggling to maintain the level of their curriculum and the offer that they believe appropriate for their students because they have lost funds. Does the Minister accept that that is the case?
My Lords, I am afraid I do not accept it. I will use the work of the Institute for Fiscal Studies, which has done a long-range analysis of school funding since 1979. It has said that the real-terms per-pupil funding for five to 16 year-olds in 2020 will be more than 50% higher than it was in 2000 and 70% higher than it was in 1990.
(6 years, 1 month ago)
Lords ChamberMy Lords, it is quite right that in society one needs to give more than one takes, and the earlier we can inculcate that into children the better. To paraphrase Aristotle: give me the child until seven and I will give you the man—or the woman.
My Lords, does the Minister agree that many of the jobs that children currently in primary school will be doing have not yet been invented, and that therefore the most important thing for those children is that they should have the broadest possible range of educational opportunities? Does he agree further that, in particular, the creative industries have a very hopeful future, given their capacity to innovate, and should be kept firmly in mind when thinking about careers, and that children should learn to see what the opportunities in those areas might be?
(6 years, 3 months ago)
Lords ChamberMy Lords, as I mentioned in an earlier reply, the great work that the Autism Education Trust is doing extends not just to teachers but to all those involved in schools. I reassure my noble friend that that is very much part of our strategy.
My Lords, the noble Lord will no doubt be aware that girls on the autism spectrum are often more adept than boys at concealing their difficulties and often go undiagnosed and untreated. What special arrangements are in place to improve the diagnosis of girls with autism?
I cannot reply specifically on the condition in girls, but I am aware that the highest proportion of education, health and care plans are for people on the autistic spectrum. There is comprehensive acceptance that the new EHC plan system is working. In 2015, we carried out a detailed survey and found that 75% of parents and users thought that the young person was getting the help they needed, but I accept that we need to continue learning and improving in this process.
(6 years, 4 months ago)
Lords ChamberMy Lords, the amendments in this group are an attempt to show the Government that this is a Bill they can use to get a grip on settings in which education is provided. We seem to have a considerable range of problems, particularly with regard to radicalisation and the failure to educate people fully and in citizenship in some of the settings that our young people are allowed to attend. It seems that we do not have the power or the ability to deal with that effectively. This group of amendments is very much directed at showing the Government that this is a Bill they can use to achieve that. I will leave it at that. I beg to move.
My Lords, if Amendment 12 is agreed to, there will be consequential arrangements in respect of Amendment 13.
My Lords, I think we are a long way short of having time problems—we have 45 minutes for the last group.
I apologise to the Committee. I should have made it clear that if Amendment 23, which is currently being debated, is agreed to, I will not be able to call the following three amendments, Amendments 24, 25 and 26, by reason of pre-emption.
Perhaps I may respond to that. Although I am severely tempted, I shall not call a Division now. If we put in “an appropriate education” we will cover these points. It will be a building block. If we put it in as an absolute—“must”, “shall”, “will”, whatever you want—we will be dancing on the head of a pin. It depends on the context in which you take it. We know that because we have all done it. I have had 30 years of playing with those words. If we do that and keep in the age-related provision—even if we put caveats after it—we will still have the initial provision, which means you will have to have discussions on it.
The Minister is studiously looking at a piece of paper but perhaps I may ask him whether we have a legal definition of ability and—I am looking for the Bill; it is nice to know that long sight comes to rival dyslexia in my life—aptitude. He says that they are important but I do not think aptitude can come in if you have not had a proper assessment in the first place. You cannot assess aptitude if you do not have the right range of environment to find out what it is.
There are all sorts of problems here. If you have another form of words you do not need those three provisions in the clause because the number of people affected by it—20% of the population have special educational needs but you can probably double that for this group to 40%, or maybe only 30%—is enough to colour this legislation’s effectiveness unless there is something in there to say that you are not going to place this stress on them. Dyslexics are the biggest although not the only group—they are not the only pattern but they are the most commonly occurring pattern—and, unless we deal with this issue, the legislation will fail a large group of its clientele. We cannot have that. Other forms of words can go in such as an “appropriate education”.
If there is an appeal, the group that will have the most problems dealing with it will probably be the dyslexics and—guess what?—it runs in families. We will be creating more problems than we need. Just change that and make sure that it is done. I hope the Minister will give us guidance that the Government will not look unfavourably on this. If we do not change this it will create more problems than we need to have. Perhaps the Minister and the noble Lord, Lord Soley, will have something more positive to say on that comment.
(6 years, 5 months ago)
Lords ChamberTo reassure the noble Earl, Lord Clancarty, I will be happy to meet with him and colleagues from this Chamber to discuss the matter further. However, there is no evidence that arts subjects have declined as a result of the introduction of the EBacc. Indeed, the proportion of time spent studying music has remained broadly stable since 2010. Since the EBacc was announced, the proportion of pupils in state-funded schools taking at least one arts subject has also remained stable. I have a very strong personal commitment to music. My own father was cured of a debilitating stammer through learning to sing and so breathe properly. I am doing everything I can to encourage music in the system.
My Lords, I am very interested in what the Minister just said about his own family experience. While I fully accept that there is an issue about the academic study of music in schools, music also makes an important contribution to the health of schools as communities. As there is so much concern at the moment about child and adolescent mental health, would he accept that it is important that there are opportunities in schools for children to participate in music for the therapeutic and social benefits it conveys, and that that is particularly true of performing music in groups?
I agree with the noble Baroness entirely. Some case studies that I pulled in ahead of this Question bear out what she said. In my own academy trust, the Inspiration Trust, I appointed a director of music just before I took on this role, and I asked him to give me his early feedback—he started only in September. He said: “On listening and music appreciation, the pupils find listening easier and can listen for longer; pupils more readily try new things. Improved multitasking skills: pupils react, listen, move, hum along to music while focused on their main task”. With regard to extracurricular ensemble, he talks about pupils being better able to understand commitment, time management, perseverance and co-operation. So I completely agree with the noble Baroness.
(6 years, 8 months ago)
Lords ChamberMy Lords, I join everyone else by thanking the most reverend Primate for securing this debate and for introducing it in a way which was stimulating and challenging. He set a very high bar for the rest of us.
Like the noble Lord, Lord Baker, my own early education was in a Church of England village primary school. Although I am of no settled faith now, I acknowledge the huge debt that I owe to my early introduction to the Bible—the King James version, Old and New Testaments—and to the liturgy of the English Church as expressed in the Book of Common Prayer. I am still strongly attached to them both, albeit by what one might call more aesthetic than theological ties. From them, I got most of what I needed to gain access to the huge treasury of art, music, drama and literature produced as part of, or in response to, 2,000 years of Christian belief and practice—and out of that, I got a wonderful career so I have much to be grateful for, unbeliever though I be.
I want to raise one matter, which many other noble Lords have touched on, about the relationship between education and democracy. We live in dangerous times: democracy is threatened everywhere, sometimes physically but, more seriously, intellectually and emotionally. If we believe along with Churchill, as I do, that democracy is not perfect or all-wise but that it is none the less preferable to all other forms of government that have been tried, then we must defend it and our first line of defence is the education of our children. As I have said before in your Lordships’ House, I believe our definition of education as expressed through what we expect our schools to provide has become far too narrow, focused far too much on examinations and therefore on formulaic teaching to the test. I mean no disrespect to teachers when I say that—I had better not, because my family is full of them. Education has become far too concerned with asserting the need for a direct connection between educational inputs and jobs.
Education, as the most reverend Primate and others have said, is not just about knowing stuff. It is also about thinking and feeling stuff. As the noble Baroness, Lady Neuberger, so eloquently put it, it is about emotional literacy, which is about understanding how others think and feel. It is about learning to deal with complexity, ambiguity, contradiction and the frequent absence of right answers. Now all our young people also have to deal with a daily avalanche of unmediated information—the most reverend Primate referred to unguided and competing values and narratives—which comes at them via the internet. In other words, education is about the exercise of judgment, critical thinking and empathy. These are all vital to exercising our democratic rights as citizens responsibly, as well as—and not instead of—knowing our times tables, how to create an algorithm and how to spell “algorithm”.
The responsibility for ensuring this breadth cannot just lie with schools; they need support. Here comes the stuck record bit in relation to other interventions I have made in your Lordships’ House. The study of the arts provides matchless opportunities to develop these capabilities. The dramatisation of human dilemmas and aspirations helps us to understand them. Shakespeare is a great way to start learning about human beings: metaphor, allegory and characterisation in fiction help us to grasp the wide differences between people and to tolerate those differences. Participating in music, particularly by singing in choirs as I do, teaches us that there is, as they say, no I in team.
The UK has many wonderful cultural organisations large and small, national, regional and local. Most are already contributing widely to the education of the next generation of citizens through their core work and through a variety of imaginative collaborations with schools and communities, especially in disadvantaged areas. I refer in passing to my connection to the Royal Shakespeare Company. It has done excellent work recently in Blackpool, which was mentioned as one of those most deprived areas.
I would also like to mention the excellent work of the Chickenshed theatre in north London where my nine year-old granddaughter is currently appearing in its extremely professional—I mean professional in the very best sense—Christmas show in which she is appearing on stage with children in wheelchairs, children who have learning disabilities and children who have Down’s syndrome and with every other kind of human being you can think of, old and young. What is she learning from that? She is learning a great deal.
Schools are able to participate in partnerships that these organisations offer them, and they value them enormously. Evidence shows that they have a beneficial effect on all aspects of learning, but school leaders are often confused by mixed messages from government about the value of cultural education and they struggle more and more with budgetary constraints, as do the arts organisations themselves. We are missing a trick here, and in doing so we are contributing to the weakening of our democratic values. Please will the Government take the lessons of this debate seriously?
(6 years, 9 months ago)
Lords ChamberMy Lords, we have just published an internet safety strategy Green Paper. Initially, we are asking, on a voluntary basis, for a code of practice, as required by the Digital Economy Act. We will certainly look at the points the noble Lord has raised.
My Lords, if I am not mistaken, this is the Minister’s first appearance at the Dispatch Box. I think we should welcome him and congratulate him on his appointment. Understandably, there is a great deal of focus on online issues —online bullying is a significant problem. However, offline bullying is also a significant problem. From personal experience, schools struggle to deal with that, partly because it is very hard for them to find the resources—over and above everything else they are required to do in the way of safeguarding—and to pay proper, detailed attention to both the sources and the effects of bullying in playgrounds, for example. Can the Minister say what more the Government can do to strengthen schools’ ability to deal with this problem?
The Government want to help schools to deliver high-quality relationships education, ensuring that pupils are taught about healthy and respectful relationships. Of course, bullying is very much part of that, and it goes beyond online bullying. Schools are very aware of the problems and, having seen it at first hand, I agree with the noble Baroness.
(6 years, 11 months ago)
Lords ChamberMy Lords, like most people speaking in this debate, I have form on this subject. We were warned by the noble Baroness, Lady Stedman-Scott, to try and avoid the dangers of repetition but I fear that that is inevitable and some things bear repeating. I congratulate and support the noble Baroness in bringing forward this important debate. I also express the hope that the Government, having unaccountably ignored my attempts to convince them up to now, will find some of the arguments put forward today more compelling coming from a distinguished member of their own Benches.
The noble Baroness focused her attention on the 14 to 19 curriculum and the EBacc. I agree with pretty much everything she said and with a great deal of what was said by other noble Lords. I hope the House will forgive me if I take the opportunity of the debate to look a little more widely, as the issues the noble Baroness and others identify stem from a broader problem that affects the whole school system: primary and secondary, not just 14 to 19. That problem is the consistent failure on the part of Governments for at least 20 years—obviously, I am not making a party-political point, although it has got a lot worse in the last few years—properly to grasp the value and significance of arts education, cultural and creative.
This has little if anything to do with the personal convictions of individual Ministers, many of whom over the years, including the noble Lord replying to this debate, have often been anxious to stress how much importance they attach to cultural studies. It has to do with policy and with a growing emphasis on education as a largely utilitarian process: information in, jobs out—not quite Gradgrind but uncomfortably close. This process was eloquently described by, among others, my noble friend Lord Knight and by the noble Earl, Lord Clancarty. A very experienced education practitioner of my acquaintance said to me only yesterday, “We have forgotten what education is for and that is bad for democracy”. That is an important point. When people are stuffed with information but do not have their imaginative and critical capacities enhanced to the same extent, they will not be able to make the kind of nuanced choices that a mature democracy requires of each and every one of us. We can see some of the effects of that before us right at this moment. That is deeply regrettable because ultimately, this undermines fair access to cultural capital, which, as we all know, is a crucial asset for young people to acquire if social mobility—mentioned before in this debate—is to have any meaning at all.
As an example, I refer briefly to my own grandchildren, who are currently at a maintained primary school in London. It is a perfectly all right school, there is nothing wrong with it at all, but it has limited access to music, drama or any other arts-based opportunities to offer its pupils. My granddaughter, who is nine, is an inexpert and not altogether always enthusiastic trumpet player. It is quite hard to persuade her to do her practice—this will be familiar to many noble Lords. This summer, she had the opportunity to spend a week at a brass academy at which pupils ranged from her at the bottom end on grade 1, right through to those about to go to conservatoires. She spent a week among these people and came away probably a slightly better trumpet player. What she certainly came away with was an experience that she really found, in her little way, life-changing. She learned, first, the real merits of working hard at something and getting better and, secondly, the merits of teamwork: working together in a band—literally a band—towards an aim. The aim was to produce a concert at the end of the week, which they did. Unfortunately I was not there, but I have seen the video and there at the back is this little girl, not a very good trumpet player but my goodness me, she is participating. She did not learn from that that she will have a career as a musician—she almost certainly will not—but she did learn an enormous amount that she will now feed back into the school community of which she is part.
Her brother is a keen footballer and gets a lot of the same things out of playing football. He also plays the piano because his parents understand the value of all of that being on offer to their children. They are not wealthy parents: one is a teacher, the other a performer—you can do the maths yourselves. However, they understand that importance. Not all children get this advantage from home. It is not just about money but about understanding how important it is for children to have these experiences. Schools should be able to reinforce that understanding and fill the gap where necessary, but they do not get the right level of encouragement to do so. Often, they would like to do more, as the unmet need for what the Royal Shakespeare Company’s associate schools programme can provide demonstrates, for example. I declare an interest as a member of the board of the Royal Shakespeare Company.
If you glance at any school prospectus, it will be full of lovely photographs. Are they of children taking exams? No, they are very often of a school orchestra—if there is one—a school play or some sporting achievement. Schools know what makes their offer attractive. Arts-based education is much more than just a nice-to-have extra. It enhances cultural capital and develops flexible, marketable skills such as those already mentioned: empathy, resilience and an ability to adapt. As already mentioned, there is a huge and diverse range of job opportunities available in the creative industries, which is a successful and growing part of our economy.
The inclusion of arts subjects in EBacc is important for its own sake and for the reasons amply demonstrated by the noble Baroness, Lady Stedman-Scott, and others. Should it come about, it would also exemplify a commitment from the Government to make clear the vital role arts subjects play in a fully rounded education at every level, from reception to A-level. Will the Minister commit to a simple first step by requiring Ofsted to withhold “outstanding” status from any school that does not provide a full range of creative opportunities, no matter how excellent other aspects of its provision may be? This really matters. The Government should say so unambiguously and make it stick.