Young Audiences Content Fund: Replacement

Baroness McIntosh of Hudnall Excerpts

Thursday 17th March 2022 Lords Chamber

[Lord Parkinson of Whitley Bay (Con)]

My Lords, the funds were set up using unallocated funding from the 2010 licence fee settlement to pilot contestable funding in priority areas of public service broadcasting provision. Although this and the equivalent fund for listeners performed well, any further investment of taxpayers’ funding will need to be assessed against the evaluation of the funds and future public service broadcasting needs, informed by our wider strategic review. DCMS and the fund administrators will conduct a full evaluation of the pilot against its fund criteria, including quality, innovation, additionality, provision for every part of the UK, diversity, the boost to new voices and plurality, and the reach of audience.

[Baroness McIntosh of Hudnall (Lab)]

My Lords, in response to a question earlier this week, the Minister talked about the ever-expanding creative industries with pride, as indeed he should. However, this kind of decision really rather gives the lie to that sort of rhetoric, as it does to his earlier reference to—I cannot remember exactly what he called it—world-beating children’s programming. Does he not agree that decisions of this kind—taken, as the noble Earl, Lord Clancarty said, without any real sense of how the future might look—are extremely dispiriting for the very talented young people who are coming through and hoping for a career in this area of our creative industries, who are now feeling that perhaps it is not going to work out for them?

[Lord Parkinson of Whitley Bay (Con)]

My Lords, this is a three-year pilot that is about to reach the end of its three years, and it must be evaluated so that we can see whether it has been as beneficial as noble Lords anticipate that it has. The noble Baroness is right that, even with the challenges of the pandemic, the industry has reached new heights of success, seeing record production in 2021, which is testament both to the UK’s status as the best place in the world to produce television and to the hard work of everyone involved in the industry. We want to evaluate the impact of the fund so we can see how best we can support them to continue to reach even greater heights.