Europe: Arts and Creative Industries
Debate between Baroness Blake of Leeds and Baroness Bonham-Carter of Yarnbury
Baroness Blake of Leeds (Lab)
I also add my thanks to the noble Earl, Lord Clancarty, and all other Members of this House for raising these matters repeatedly; it is important to focus on what is happening. I note very carefully the comments made by the noble Lord, Lord Wigley, and, obviously, we shall be having an interesting debate later today about Welsh opera, for example. These relationships are critical, and I will take back the noble Lord’s comments.
Baroness Bonham-Carter of Yarnbury (LD)
My Lords, last week the Prime Minister launched the Plan for Change—a great statement of support for our creative industries, because it was launched at Pinewood Studios. However, those industries are crying out for us to rebuild ties with Europe. Our young people are being cut off from European culture, and vice versa, yet the relatively narrow youth mobility scheme suggested by the EU has been rejected by the Prime Minister. Can the Minister explain why?
Baroness Blake of Leeds (Lab)
To reiterate my earlier comments, the negotiations are ongoing, and it would not be appropriate to go into the detail of where we are. Let us be honest: this is incredibly complicated. I do not think anyone really understood the level of complexity involved in leaving the EU and all its greater implications. I hear the noble Baroness’s comments; they will be fed in. I am very heartened by the change in relationships, the willingness to embrace and have discussions, and, most importantly, collaboration with the wider sector, which will absolutely direct the course of travel.