Creative Industries: Rights Reservation Model

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Thursday 30th January 2025

(1 day, 11 hours ago)

Grand Committee
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Lord Vallance of Balham Portrait The Minister of State, Department for Science, Innovation and Technology (Lord Vallance of Balham) (Lab)
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My Lords, I thank the noble Lord, Lord Foster, for introducing this debate and everyone who contributed. Clearly, several of the amendments that we discussed earlier in the week have been touched on in one form or another in today’s debate. The fact that those amendments were voted through demonstrates the intensity of noble Lords’ passion for and interest in this topic; of course, that is recognised. I acknowledge clearly, because I was asked this question, that I recognise the importance of these issues and I absolutely understand the concerns of the creative industries and, as the noble Lord, Lord Black, mentioned, the media sector.

In some ways, what we have discussed today speaks directly to the question of whether we need a consultation. On 17 December, we published a consultation that seeks to deliver a competitive copyright regime and a package of measures that support our creative industries and the AI sector. I do not want to sound like a broken record, but the proposals aim to deliver three objectives, and I agree with the way the noble Viscount, Lord Camrose, framed objectives. The three objectives that we have put forward are: transparency about the use of copyrighted works to train AI models and AI-generated content, providing greater control for rights holders’ material so that they can be supported in protecting it and can be remunerated where it is used—again, I say that the aim here is quite the opposite of theft: it is to give more control—and enhancing lawful access to the material to be used to train world-leading AI models.

I reiterate what I said on Tuesday: this is a genuine consultation, and many people from a range of sectors are engaging to share their views and evidence. The Government continue to believe that it is important that we have the benefit of that public consultation before we act. A central issue that the noble Lord, Lord Foster, set it in his Question is how to make sure that rights holders can easily reserve their rights and control the use of their material. These are the challenges that rights holders face today. Although they may have copyright on their work, they are often unable in practice to control how it is used or to gain remuneration. This is often particularly true for new or solo artists, the very people we need to protect, a point that the noble Lord, Lord Holmes, and others made.

The rights reservation model proposed in the consultation aims to enhance rights holders’ ability to withdraw their content from being used. It would support their ability to license this content for use with AI if they wish to do that. To do this, we will need the right blend of technology and regulation, and the consultation seeks views on how this should be achieved. Importantly—many noble Lords raised this point—this model would have to be simple, effective and accessible for rights holders of all sizes, something that, frankly, is not available in the current position. The Government have been clear that we will not proceed with this model unless we are confident that these criteria will be met.

On transparency, we want to consider how to achieve this broadly, ensuring that rights holders understand how and where their content is used, while also ensuring any measures are not disproportionate for small businesses and individuals.

On our third objective, access, for all the reasons that the noble Viscount, Lord Camrose, said, we want to ensure that there is a system in place that allows AI developers to access the high-quality material they need to train world-leading models in the UK. We want that access to be without uncertainty and without legal liability slowing down investment and adoption.

These are undoubtedly complex issues, and we need to strike the right balance to ensure that we are able fully to benefit from AI and guarantee the success of our world-leading creative industries. This is why we are asking about all these elements in the consultation.

The question asked by the noble Lord, Lord Foster, raises important issues about the impacts on creators and our assessment of these impacts. This was also something mentioned in the debate earlier in the week. I reassure noble Lords that gathering further economic impact evidence is one of the main reasons for conducting a full inquiry, but it is also worth pointing out that alongside our proposed paper on this, we published a 22-page summary options assessment that set out its initial analysis of the proposals that we have put forward, so it is not correct that there has been no options impact appraisal. This options assessment received a green rating from the independent Regulatory Policy Committee. It recognises, however, that quantitative evidence is currently limited in this area and highlights areas where the Government hope to receive further data during the course of the consultation.

The options assessment sets out the expected impacts of different options and assesses them against those three objectives in the consultation: control, access and transparency. The assessment does not provide detailed data on economic impact, as publicly available evidence in this area is currently rather limited. It is important that we let the consultation run its course so that we can gather evidence of impacts on the full range of affected parties. We are particularly keen for respondents to the consultation to provide further economic evidence to inform how we achieve our objectives. To answer partially, without being able to have singing in the streets, the question from the noble Lord, Lord Clement-Jones, depending on the evidence we receive through the consultation, we will revise, update and expand on the assessment of the options and better determine how we move forward with any potential legislative change. Acting without this would risk imposing legislation that does not have the intended effects.

Alongside our analysis, the Government of course continue to consider a broad range of external studies to assess AI’s economic impact. Modelling the potential economic impact of AI is complicated, and there are several external studies on this. We know that it is complicated, as we have seen just this week with the entry of DeepSeek and how that may change many of the things we think about, but AI adoption has the potential to drive growth across the economy, including, as many noble Lords mentioned, in the creative industries, where more than 38% of creative industry businesses have used AI technologies as of September 2024, with nearly 50% using AI to improve business operations. Earlier this week, I attended the launch of the Institute for the Future of Work’s report into the future of work and well-being, which looks at the impact of AI on work and well-being in all sectors. The Government have considered this external evidence alongside our internal analysis to inform our approach to AI and will continue to do so.

I will now move on to a few other areas. In passing, I agree with the noble Lord, Lord Black, that the question of truth in the effect of AI is crucial. We are in an era where this is increasingly difficult; it is the first wave of the AI challenge. It is crucial for everybody in society and, of course, for the media. Technology will play an important part in delivering greater rightholder control. The Government are clear that any solutions need to be effective, proportionate and accessible to all parties of all sizes, and they must be easy to use. Again, I want to reassure noble Lords that we do not intend to go forward with this approach until we are confident that this is the case.

The noble Lord, Lord Foster, asked whether anything is already available. Things are available; they are not good enough yet but coming along very fast. I know from my time as chair of the Natural History Museum, where we looked after vast amounts of data of huge potential value, that we had ways to try to block people getting hold of it. Things are available now but they need to be better; they also need to be simpler and usable by the individual.

The consultation recognises that more detailed work needs to be done, and an important function of the consultation is to help us work through this detail. A number of industry initiatives are already under way to deliver effective standards. As has been mentioned, these standards—international and national—will be crucial. These efforts, combined with careful regulation, will make it possible to deliver workable rights reservation tools, and a reimbursement mechanism that, again, should be easy to operate and not available only to the largest players or by going to court.

As noble Lords have raised it during the passage of the data Bill, I reiterate the central importance of transparency in the way that creative content is used. The use of web crawlers, metadata and watermarks as different forms of technological solutions could have a number of benefits for those who wish to control or license the use of their content with AI and could provide the very basis for a rights reservation tool.

We agree that a key issue to be addressed is the role of some web crawlers that are used to obtain content for AI training. However, it is important to recognise that web crawlers are used for different purposes, the most familiar being indexing online content so that it can be searched with a search engine. Standards on the use of web crawlers may also be important to improve the ability of rightholders to prevent the use of work against their wishes.

I spoke about workability, and several noble Lords made it clear that it must mean workability for the creative sector and creatives, as well as for others. The noble Lord, Lord Foster, asked about the temporary copy issue. We have asked about that in the consultation.

To conclude, I again thank noble Lords for contributing to this debate. They can rest assured that the Government understand the strongly held and legitimate concerns which creators and rightholders have about their content being used. We also agree that transparency is fundamental. However, it would be wrong to commit to specific legislation while the Government’s consultation is ongoing. Indeed, we should and must consider stakeholders’ responses fully and progress our package of objectives together.

We will consider all the points raised by noble Lords today and during the passage of the Bill. We will do this alongside the responses and evidence received as part of the consultation, before bringing further proposals. I end on the specific point raised by the noble Lord, Lord Holmes, on the LAION case, which is under German law. I will ask the IPO to give him a full answer on that.