The Parliamentary Under-Secretary of State for Digital, Culture, Media and Sport (Nigel Huddleston)
I thank my right hon. Friend the Member for Romsey and Southampton North (Caroline Nokes) for securing this debate. She is a great advocate for Southampton—indeed, the whole area—and is rightly enthusiastic about it having been shortlisted recently in an intensely fierce competition; a record number of places applied this year. I also thank all right hon. and hon. Members who contributed this evening.
The UK city of culture is a key part of the Department for Digital, Culture, Media and Sport’s broader offer to level up across the UK. That reflects the fact that culture is a catalyst for investment in places, and drives economic growth and regeneration. Delivered by DCMS in collaboration with the devolved Administrations, the quadrennial competition invites places across the UK to set out their vision for culture-led regeneration. The city of culture is also about highlighting the role that culture plays in the heart of our communities, with the aim of promoting social cohesion, instilling pride and making places even more attractive to visit, live in and work in.
It is worth reflecting briefly on the many benefits that previous winners of the title have enjoyed. More than £150 million of public and private sector investment was invested in the 2013 winner, Derry/Londonderry; and the 2017 winner, Hull, saw 5.3 million people visiting more than 2,800 events. Coventry, despite huge challenges posed by the pandemic, has developed an extraordinary programme of events that have put culture at the heart of social and economic recovery. Some £500 million has been invested in city-wide regeneration since it was confirmed as the UK city of culture. The city has seen more than £172 million invested in the likes of music concerts, public art displays, the new Telegraph hotel, a new children’s play area in the city centre, and improvements to public transport.
Given those benefits, it is no surprise that finalists in the 2025 competition were whittled down from a record 20 initial UK-wide applications. Southampton, along with three other locations—Bradford, Durham and Wrexham—was approved by the Secretary of State to be shortlisted for the 2025 competition. This was based on advice given to the Government by the independent expert advisory panel. The panel, which is chaired by Sir Phil Redmond, will assess the finalists against criteria such as placemaking, levelling up, UK and international collaboration, opening up access to culture, and creating the lasting legacy that my right hon. Friend spoke about. The panel will make its final recommendation following visits to the four shortlisted places and a final presentation next month. The winner will be announced in Coventry in late May.
As my right hon. Friend eloquently set out, Southampton is a young and very diverse maritime city. As she said, it is brimming with culture and has a huge amount to offer local people and visitors. There is a world-class music scene, and it has many festivals, including the literally mouth-watering food festivals she mentioned. There is also a wide choice of theatres, galleries and museums. The city is home to two universities, which welcome students from all over the world. Southampton has world-leading research into cancer, science and maritime engineering, and minds that famously connected the world through the invention of the world wide web, which she mentioned. From ancient waterways and five centuries of shipbuilding to the making of the Spitfire and the south of England’s Science Park innovation hub, Southampton is a city of enterprise. Alongside that, the area has seen significant investment in arts and culture. Arts Council England national portfolio organisations in the local authority of Southampton have received nearly £10 million between 2018 and 2022.
Southampton’s UK city of culture bid is being delivered by Southampton 2025 Trust, a partnership including Southampton City Council, the University of Southampton, Solent University and GO! Southampton. I would like to take this opportunity to recognise their dedication and give thanks for all their hard work so far. The bid team are using the process as an opportunity to further enhance perceptions of Southampton and showcase the city to the rest of the UK and the world. They are aiming to celebrate diversity, attract more visitors to the city, encourage enterprise to support home-grown businesses and cultural organisations, and boost opportunities for their young people.
For the first time, the eight longlisted places from across the UK received a £40,000 grant to support their application ahead of the shortlisting stage. The intention was to ensure a fairer competition and aid places in developing deliverable plans. However, this is not just about who wins the competition; there are clear benefits to all places that take part. The consultation process that forms part of the bidding engages local communities and organisations, and that can result in enduring partnerships. Scalable plans can also be developed, and can then still be carried out to some extent if the city does not win.
For example, Hull was unsuccessful in winning the 2013 title, but came back to win the 2017 title. Sunderland, which bid for the 2021 title, created the momentum to form a new arts trust, Sunderland Culture; achieved enhanced Arts Council England funding; and mobilised a lasting team of community volunteers. Paisley, which also bid for the 2021 title, has since raised funds for its museum and hosted a range of major events, including UNBOXED’s About Us, which launched last month. Norwich, which bid for the 2013 title, went on to be the UNESCO city of literature.
However, I do not want to be pessimistic. Obviously, there are huge benefits for those that do not win, but there are also huge benefits for those that do. DCMS wants all bidders to take advantage of the bidding process, and we are committed to working with those who do not win to continue to develop partnerships, advance culture-led change and strengthen cultural strategies, and signpost upcoming opportunities and funding.
I commend Southampton’s commitment to winning the UK city of culture competition 2025. There is clearly a very strong case, which has been laid out by hon. Members from across the House this evening. Of course, I wish all shortlisted bidders good luck in the final stages of the competition.
Question put and agreed to.