The Parliamentary Under-Secretary of State for Digital, Culture, Media and Sport (Nigel Huddleston)
I am grateful to the hon. Member for Bradford East (Imran Hussain) for securing this debate about Bradford’s bid to become UK city of culture. He spoke eloquently and passionately about his city, of which he is so obviously proud, and I thank him for his contribution to the debate. He is a great champion of the city, and he will of course be delighted that Bradford was recently named one of the four places shortlisted for the title of UK city of culture 2025. It has been a competitive process, with all bidding teams submitting high-quality bids.
UK city of culture is the UK-wide quadrennial flagship competition by the Department for Digital, Culture, Media and Sport, delivered in collaboration with the devolved Administrations. It invites places across the UK to set out their vision for culture-led regeneration. UK city of culture is about highlighting the role that culture plays in the heart of our communities; the hon. Gentleman mentioned that many times. It demonstrates that culture is for everyone, no matter who they are and where they come from. This is a key part of DCMS’s broader efforts to level up opportunity. It uses culture as the catalyst for investment, in order to drive economic growth and regeneration, promote social cohesion, and instil pride in places, making them even more attractive to live in, work in, and visit.
Derry/Londonderry was the first title holder back in 2013, and Hull won in 2017. This prestigious title has huge benefits; previous hosts have attracted millions of pounds in additional investment, created jobs, and attracted thousands of visitors to the area. Coventry is the current UK city of culture; its term finishes in May. Despite the challenges of the pandemic, the city has developed an extraordinary, year-long programme of events that put culture at the heart of social and economic recovery. As a result of Coventry being awarded the title of UK city of culture, more than £172 million has gone into funding music concerts, public art displays, the UK’s first permanent immersive digital art gallery, a new children’s play area in the centre of the city, the new Telegraph hotel, and improvements to public transport. A further £500 million has been ploughed into the city’s regeneration since it was confirmed as the UK city of culture. More than £150 million of public and private sector investment was invested in the 2013 winner, Derry/Londonderry, and the 2017 winner, Hull, saw a 10% increase in visitor numbers during its tenure.
Bradford and the three other locations—County Durham, Southampton and Wrexham County Borough—were approved by the Secretary of State for Digital, Culture, Media and Sport as the shortlist for the 2025 competition. That shortlist was based on advice given to the Government by the independent expert advisory panel, led by Sir Phil Redmond. The finalists were whittled down from a record 20 initial bids to eight outstanding long-list applications. The expert advisory panel will visit the four shortlisted places in May; then there will be a presentation from each of those places before the panel makes its final recommendation. The winner will be announced in Coventry in late May, so there is not too long to wait.
I am impressed by Bradford’s ambition and the way it has embraced the UK city of culture competition. I am sure that Bradford, along with the three other shortlisted places, will continue to robustly showcase its places and the strength of its bid to the panel. The UK city of culture is a proven model for culture-led regeneration, but there is no blueprint for success, and each city of culture has a different character and tackles new and different issues. The expert advisory panel is looking for a fresh narrative for the next UK city of culture—a strong story, a sense of identity and a vision for change. As the hon. Gentleman and others outlined, Bradford is a vibrant city with a rich cultural heritage and a young and diverse population. It has a huge amount to offer local people and visitors, and it is one of the few places in the world to have not one, but two UNESCO designations. Saltaire industrial village is a UNESCO world heritage site, and as the world’s first city of film, Bradford is also part of the UNESCO creative cities network. The area is also known for being the birthplace of the Brontë sisters and David Hockney, and for its strong cultural assets, such as the National Science and Media museum and the Alhambra theatre, which the hon. Gentleman mentioned—as well, of course, for its beautiful countryside.
Alongside all that, the area has recently seen significant investment in the arts and cultural sectors. Between 2018 and 2022, Arts Council England national portfolio organisations in Bradford have received more than £7 million, and organisations in Bradford’s local authority have received £3.65 million through rounds 1 and 2 of the culture recovery fund. The libraries improvement fund has support for Bradford’s libraries, so that they can improve their offer. Bradford is also one of 15 UK-wide locations that StoryTrails, one of UNBOXED’s commissions, will visit this year. Bradford has been successful in securing some £20 million from the levelling-up fund to invest in the Squire Lane wellbeing and enterprise centre, and has received £4 million from the northern cultural regeneration fund to redevelop the Bradford Odeon, as the hon. Gentleman mentioned.
I understand that Bradford’s bid is the outcome of lots of hard work delivered by the bidding team, and by the Cultural Place Partnership, which includes Bradford Council, the University of Bradford, Bradford College, representatives of the cultural sector and national funders, as well as the hon. Gentleman, the hon. Member for Bradford South (Judith Cummins), my hon. Friend the Member for Keighley (Robbie Moore) and many others. The team are focused on using the competition as a platform to showcase Bradford’s strengths to the rest of the UK and the world, to improve opportunities for local people, and to increase access to jobs in the visitor economy and cultural sectors. There is an aim to add to the significant provision already in place and leave a lasting legacy of increased visitor numbers, and to develop a more vibrant, sustainable cultural sector. There is also a focus on ensuring greater community engagement across the district, celebrating Bradford’s diverse communities and increasing public participation in cultural activities.
This is not just about who wins the competition. There are clear benefits to all places that bid. For the first time, the eight long-listed places from across the UK received a £40,000 grant each to strengthen their long application ahead of the shortlisting stage. That has helped to level the playing field, and has encouraged places to develop deliverable plans, even if they do not win the title. The Department for Digital, Culture, Media and Sport wants all bidders to leverage the bidding process. We are committed to working with those who do not win, so that they can continue to forge partnerships, develop culture-led change and strengthen cultural strategies; and we are working to signpost upcoming opportunities and funding. Hull, it should be remembered, was unsuccessful in bidding for the 2013 title, but it came back to win the 2017 title. Sunderland’s bid for the 2021 title created the momentum to form a new arts trust, Sunderland Culture. Paisley, which also bid for the 2021 title, has since hosted a range of major events, including UNBOXED’S About Us, earlier this month.
I applaud Bradford’s dedication to winning the UK city of culture 2025 competition. I wish Bradford and, of course, the other three shortlisted places—County Durham, Southampton and Wrexham County Borough—the very best of luck for the remainder of the competition.
Question put and agreed to.