Beauty and the Built Environment

Nadine Dorries Excerpts
Tuesday 30th October 2018

(5 years, 5 months ago)

Westminster Hall
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Jim Cunningham Portrait Mr Cunningham
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As usual, the right hon. Gentleman takes a difficult topic and makes it understandable—to say the least—in a very jocular way. I am sure he will remember as I do when Governments used to announce at general elections that they would build about 300,000 houses a year. That has gone by the board now.

Planning is one issue when we talk about housing, and particularly social housing, in this day and age, but, more importantly, many years ago we used to have the Parker Morris standards for social housing. That is all gone now. Even in the private sector, we very often see houses that are nothing better than boxes. They look okay on the outside, but inside they are very small indeed. I do not think people are getting value for money. There is the design, but there is also the importance of bringing local people’s views into the discussion as well, and Members will probably have heard me talk of the King’s Hill area in Coventry, which is a beauty spot with lots of history where they now want to build houses. Before I sit down, I would just add that when we had a problem in Coventry with council houses, we let residents take part in the process of the design of alterations. That went very well. We have to get back to times like that—

Nadine Dorries Portrait Ms Nadine Dorries (in the Chair)
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Mr Cunningham, that is a speech, not an intervention. I call Mr Hayes.

John Hayes Portrait Mr Hayes
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I am delighted to say that I agree with every word that the hon. Gentleman said. I think of where I was brought up in south-east London. It was a council estate built, as so many were, in that period during the war and just after. Houses were not only well built—they were attractive. Care was taken about the design of the house. There were a variety of house styles across the estate. There were houses of different sizes to accommodate different kinds of people; there were smaller properties, suitable for elderly people, and large homes suitable for families. The variety of houses, the look and feel of the development, the street layout, the presence of a widely used parade of shops, the church, the school, the community hall, and so on, were the component parts of a functioning community, of which everyone felt part. I am not sure that can be said of many developments now.

The hon. Gentleman is right that privately owned, but also rented properties, are often soulless, ubiquitous and indistinguishable from one another, looking the same from Penzance to Perth, with no sense of the vernacular, no sense of local personality and thereby, incapable of inspiring the local and particular sense of place necessary to build communal feeling. That is where we have got to. It is extraordinary that we have, given the opportunity that existed in the post-war years after the bombing of many of our cities. The redevelopment could have been not only regenerative, but inspiring. I have to say that we, as a nation, failed. Now, this Minister in his time in this job has the opportunity to put that right.

In my roles in the various offices of state, I have tried to influence the quality of development and what we build. As Energy Minister, I acted to ensure that wind turbines were constructed in appropriate locations after proper consultation with local communities, which is critical. Consideration about the impact on landscape became a vital part of the approval process. Some then simply dismissed the argument I made as irrelevant, on the basis of the easily grasped but utterly crass notion that beauty is in the eye of the beholder. The notion that beauty is relative has been used to justify much of the ugliness imposed on our towns and cities by architects, planners and developers since the war. Such developments have succeeded only in undermining public confidence in new housing. What is often not appreciated is how the public’s perception of development has changed.

I think what I have already described would be agreed by Members across the House of Commons, and certainly beyond it, but the sad fact is that planners by and large still have not learned their lesson. Even today, for example, some still laud the idea of streets in the sky. Plans are apparently afoot to extend the misconceived network of elevated walkways constructed in the City of London after the war. Streets in the sky were never a substitute for real streets—for architecture on a human scale, in proportion and in harmony with its environment. As anyone who has ever attempted to walk to the Barbican Centre knows, urban walkways are alienating, confusing and a poor substitute for design that puts people first. The Barbican is far from the worst example. There were any number of large developments, mainly of social housing, with walkways and gantries that not only became havens for criminals but often isolated rather than united blocks of flats.

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John Hayes Portrait Mr Hayes
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It will be alarming to some, but a delight to others, to know that I am only on page 3 of my very long speech, and I want to make a bit of progress. My hon. Friend is absolutely right that part of the sense of place, to which I referred earlier, is about green space. I will come in a moment to some of the research done by His Royal Highness the Prince of Wales’s organisations on what people want, because a lot of the interventions have mentioned the role of consultation, engagement and involvement in shaping policy around what people actually want. There has been a lot of work done on this by a variety of organisations, to which I want to refer.

Let us be clear about what we aim to achieve. We aim to build homes of which people can be proud. Le Corbusier, who is responsible for many bad things, said:

“A home is a machine for living”.

A home is not a machine for living. Homes are a reflection of our humanity. William Morris said:

“Have nothing in your home that you do not know to be useful or believe to be beautiful.”

That was because Morris understood that beauty and wellbeing are inextricably linked, and that a politics that is serious about welfare and wellbeing must be serious about beauty. It is not possible to believe in the common good as passionately as all those here in the Chamber do but not care about aesthetics—the two are inseparable.

That beauty is somehow detached from matters of fairness and social justice is the second misconception that must be challenged. For the ancient Greeks, aesthetic and moral judgements were inseparable. In the 19th century, many artists considered beauty to be the vital link between freedom and truth. I sense that today there is once again a growing understanding of how aesthetics are a vital part of our judgment of value and worth. That is partly intuitive; people instinctively understand the connection between the value of beauty and a wider conception of worth.

This can be seen in protests at the ugly buildings that developers still attempt to foist on communities against their will. It can be seen in the despair at identikit supermarkets that lack any sense of craft or character, built with no consideration of the past and no regard for the future. Indeed, at the heart of modern architecture, like all modern art, is the Nietzschean idea that the past is irrelevant and we can create our own value system. Much modern architecture, like modern music, fails precisely because it rejects those principles of harmony that time has taught us to delight in, and that excite our senses not because they are discordant, but because they are harmonious.

Where modern design does succeed, that is largely by accident or because, where form has at least followed function, a building has a high degree of utility. That is important, because we often hear architects, planners and engineers speak about ergonomics, but they frequently confuse ergonomics with aesthetics. It is not sufficient for a building to be ergonomically sound, irrespective of its aesthetic.

Just occasionally, a combination occurs that unites those two things—the extension to King’s Cross is a very good example. Looking at the extension to King’s Cross and the engineering of the roof, it is clear that what is a functional requirement has been turned into a work of art, as aesthetics and ergonomics have come together. That is such an exception that it is frequently mentioned, because people are searching for an example of something joyful. Every time I go to King’s Cross station, which I do frequently on my journey to and from Lincolnshire, I look in wonder at that development. I know that we should be doing that time and again in towns and cities across the county—if not in scale, certainly in essence.

These lessons are not new, and I offer nothing that is not the wisdom of the people. The buildings that are most often treasured and valued by the public at large—our constituents—are usually older buildings that are shaped by vernacular style, where architects have taken care to be in harmony with the surroundings and where craftsmen have laboured over detail. A study by the Commission for Architecture and the Built Environment found that, when asked to name the most beautiful buildings in Sheffield, most respondents cited the two cathedrals.

Even the very same architects, planners and technocrats who foist ugliness on the rest of us often choose to live in beautiful, old houses in communities that still have a sense of place and a link to their surroundings. In fact, it is quite alarming that most modernists choose to live in Georgian or Victorian houses. That is the problem: escaping to gated lives, they leave well alone those who are forced to live in the kind of houses that the hon. Member for Coventry South (Mr Cunningham) mentioned, and that is just not acceptable. Beautiful housing has become increasingly unaffordable to the kind of people he mentioned, precisely because it has become so scarce. We have seemingly become incapable of building anything of comparable quality or of planning new developments with a similar sense of place and community, which are values that matter directly to our quality of life, our sense of wellbeing and our health and happiness.

It cannot be fair that beauty is increasingly the preserve of the few, which brings me to the third misconception that cannot be left unchallenged: that beauty belongs to the past. It is often considered, sometimes unthinkingly, that it is no longer possible to build beautiful buildings. We have somehow, rather depressingly, come to believe that the supply of beauty is both finite and exhausted, perhaps because people assume that it must be dated, kitsch or whimsical to build according to the principles of classical architecture, or to extend such a vision across a development so that it is harmonious, with a sense of community and place.

Such snide comments are sometimes made about the Prince of Wales’s vision for Poundbury, although the popularity of that place reminds me of what one wit said about the original Broadway production of “The Sound of Music”: “no one liked it, apart from the public”. The truth is that, when surveyed, the public repeatedly identify those kinds of place as places where they would like to live and that they aspire to own one day.

Beauty does not have to come at too high a price and it does not have to be sacrificed for the sake of utility. Those assumptions are false. When the city fathers of Birmingham, Nottingham and Manchester built great town halls in classical or gothic style, they did so because they understood that these styles had endured. A fine example is Nottingham, a city I know very well, having lived there for 20 years, studied there and been a county councillor in Nottinghamshire. The Council House in the centre of Nottingham, which is a great neo-classical building, was built in 1929. Right up until then, we understood, but the problem has grown in scale and depth since the war. Those planners, engineers and architects built something that they wanted to last, and they succeeded. The modernist library in Birmingham’s Chamberlain Square was recently demolished, just 40 years after it was built, but no one would seriously consider doing the same to the classical town hall or the other great public buildings of the Victorian era.

Despite their appearance, those buildings are, in other respects, modern: they were built using modern construction techniques. In historical terms, compared with the cathedrals I mentioned, they were built yesterday. Many were built in the late 19th or early 20th century. There are no good reasons that we cannot continue to build beautiful buildings, as the Prince of Wales has demonstrated to such wonderful effect.

While I am dealing with the Prince of Wales, I want to return to the issue of what the public want. The Prince’s organisations consulted widely on the principal things that people want and do not want. I will highlight four. They do not want their town or village to lose a strong sense of identity; they do not want green space to be unduly threatened by urban sprawl; they do not want too many tall or large buildings, out of scale with what is there already, to be built; and they do not want change to be too rapid or overwhelming. In other words, people want building development on a human scale that is incremental and in tune with the existing built environment. Is that really too much to ask of our generation? I think not, and I hope the Minister agrees.

The irony is that many modern and postmodern buildings are more expensive than buildings built and designed according to classical principles. Even in cases where improving design and build quality comes at a price, in the longer term that will save money, and not just on maintenance. A British Land study estimates that better design could save the UK economy an estimated £15.3 billion by 2050, making us all happier and healthier.

Good design has the power to strengthen communities and improve physical and mental health through abundant green space and walkable streets. It has the power to improve safety and security through the abolition of semi-private spaces, walkways and underpasses, which trap people and encourage criminality. All those considerations should be fundamental to planning policy.

It would be a genuine tragedy if concerns about the supply of housing led us to revisit the failed post-war experiment in high-rise living. That is not the answer. Tower blocks are actually built at lower densities than terraced housing. We must consign such misconceptions to the past, and in their place develop a planning system that has true regard for people and communities. For almost 60 years, our planning system has encouraged or allowed out-of-scale buildings. We need fundamental change.

I will say one other thing about His Royal Highness, who put this issue in such clear terms and speaks, I think, for the people when he said that he did not want the place

“which I love greatly disappear under a welter of ugliness”.

How many communities and individuals have felt that? How many have felt that their voice is not heard by architects, planners, engineers and—I have to say it—politicians of all persuasions?

We need fundamental change. In the future, buildings should be in harmony with the landscape, vernacular in style and built from local materials, and they should offer local distinctiveness, which is the foundation of people’s sense of place. Pride in communities is unlikely to flourish if people have no say in how housing is built or how their neighbourhood develops.

As the hon. Member for Coventry South and my hon. Friend the Member for Henley (John Howell) said, that obliges us to engage and involve local people in the character, shape and scale of developments close to them. Although the revised national planning policy framework now encourages local authorities to produce design codes and styles, we must go much further.

Nadine Dorries Portrait Ms Nadine Dorries (in the Chair)
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Order. Just to make the right hon. Gentleman aware, there are three Front-Benchers to speak, and other Members have requested to speak.

John Hayes Portrait Mr Hayes
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That is most kind of you, Ms Dorries. I always regard your advice seriously, and I will move reasonably swiftly to my exciting peroration so others can contribute.

Policy Exchange found that most people do not want to live in glass-covered high-rises or sprawling concrete estates. They want homes that are built in traditional styles, such as Georgian and Victorian-style terraced housing, and tree-lined streets. Similarly, research by Create Streets found that, in overall planning, people value green spaces; walkability, both in terms of consecutiveness and street-level interest; and a minimisation of the internal semi-private space that is a function of tower blocks, walkways and so on.

The success of the “Save our parks” campaign run by The Mail on Sunday is indicative of how much we value green space, yet parks and open spaces across the country are being lost, eaten up by greedy developers and unprotected by careless councils. We should not just protect green spaces, but build new parks and squares. I was pleased by the Budget yesterday, but we need to do more. Why does the Minister not stand up and say that it is his plan, ambition and intention to create 100 new parks and green spaces in towns and cities across the country?

In practice, much greenfield development is degenerative. All development should be regenerative where possible. It should be not a bolt-on to communities, but an opportunity to enhance and develop them in a way about which we can all feel proud. Policy Exchange estimated that, in London alone, there are 6,122 hectares of brownfield land, the mixed use of which could accommodate between 250,000 and 300,000 new homes. Bad design must no longer be tolerated. I want beauty for all.

I am coming to my exciting peroration, Ms Dorries, so excitement can build from now on—just in case anyone wanted notice of the need to be excited. We plant trees for those born later—for our children and grandchildren—and we should build for future generations, too. The built environment we leave behind is our children’s inheritance. We must not leave them a poisoned legacy of lost beauty and present ugliness. Such a legacy has already led to the burgeoning interest in local history. Bookshops are filled with illustrated history books, invariably with the word “lost” in their title. Towns and cities, pictured as they once were and no longer are, fascinate our constituents, because once we knew how to build and develop. They show a lost world of proud local shopkeepers, well-kept shopping arcades, community and Victorian civic pride. How much more can we afford to lose before we end this destruction? When will we start adding to our stock of beauty once more? Beauty once lost must now be regained. The Government can play their part. We must demand and do more. We must deliver beauty in our time.

None Portrait Several hon. Members rose—
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Nadine Dorries Portrait Ms Nadine Dorries (in the Chair)
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Order. The Front Benchers are going to have 10 minutes each. Two other Members wish to speak, so to be fair and equitable they have just over 10 minutes each.

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Nadine Dorries Portrait Ms Nadine Dorries (in the Chair)
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I am not sure, Mr Hayes, if there is any point to me asking if you would like to have the last two and a half minutes.